In Coralie Fargeat's brand-new feminist scary film The Substance, damaging societal appeal requirements are the actual creatures. They (female objectification, the disposal of "the aged," the spreading of a field built on body modification) supply a beast of a cycle that leads Demi Moore's fading television individual character Elisabeth Sparkl

Make your cinematic experience more enjoyable with the hand-picked collection of film reviews that highlights the array of the (blog) voices that make up film criticism stimulating (scifi movies links) conversations and asking (horror movie review) readers to reconsider their perspectives, while recognizing the multifaceted nature of the cinematic